by Shari Grantham

A recent question posted on the AMP blog, “Is preservation cost-prohibitive?,” made me think about costs related to archives in general. As a former corporate archivist, I am painfully aware of budgets and bidding out work! Now that my shoe is on the other foot, and I am consulting in the field, the issue is even larger for me. When I was the “client” and was requesting bids for work, I (and my coworkers) were always concerned by the process. We knew many vendors were underbidding to get the work and that could pose a financial risk for them if they got the project. We also were forced to consider those bids because there was quite a bit of paperwork to do if the lowest bid was not selected. In the end, we could often work around it by choosing the firm with the most expertise in an area as long as their bid was not too much higher than the lowest one.

It’s easy for a client to forget about the hidden costs of operations related to projects. There are often random emails with questions, monthly or more frequent conference calls, technology testing or review, on-site meetings or visits, etc. All of these items take up staff time – and not just a little bit of it either – it really adds up. I think many clients might be shocked if they realized exactly how much time. Often a fair amount of this time can be billed back as project management time, but only if the client is willing or that category has been built into the project.
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by Lisa Rabey

To say those from the South are proud of their heritage is putting it mildly. Every year dozens if not hundreds of groups, towns and culture centers celebrate some aspect of Southern life from Civil War reenactments to living history villages to a wide array of festivals honoring everything from fruit and food to music and specialty local events. ¹

To help commemorate the South’s (and also America’s) illustrious background and to give a voice to the Southern perspective, the University of North Carolina has put together a digital initiative of primary and secondary sources on the Internet. Since 2004, Documenting the American South has been the premier location for education and research materials on Southern life not just on the Internet, but also in the world. The fourteen thematic collections offer wide range of digital materials that includes books, diaries, posters, artifacts, letters, oral history interviews, and songs. This vibrant digital collection consists of numerous large print, photograph and rare materials collections made possible by Southern Historical Collection, the North Carolina Collection, UNC’s Rare Book Collectionand the Davis Library.
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by Anita Merriweather Williams

In a national economy in which double-digit unemployment figures travel in the opposite direction from the signs that things are said to be improving and a local economy that would jangle the nerves of the most fiercely optimistic, I am frequently riddled with doubt as to my decision to return to school for the academic qualifications to do something I truly enjoy. It was easy to buy into the notion of getting paid for doing a job for the sheer happiness it brings. I didn’t anticipate that timing is everything and having the know-how, energy and desire to take on an all new career was only half the battle.
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by Molly Jean Schoen

Earlier this month, the Library of Congress announced that it would house every “tweet” ever posted on Twitter. Every 140-character-or-less blurb on the site is now part of the vast LoC archives. This got me thinking: what are the issues at hand in archiving social networking sites? And why is it important?

Recently, while cleaning out my apartment, I found a relic of primitive social networking—a printed-out Facebook message from 2005. Nostalgia instantly struck. Five years ago, Facebook was [thefacebook], with a much simpler interface. A toolbar on the left listed the humble features of the relatively new site: My Profile, My Groups, My Friends, My Away Messages. Clearly, Facebook was trying to emulate MySpace —which was then by far the preferred means of social networking.
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by Kim Schroeder

As I was working on a workshop about process planning for digitization, I came across this quote by Peter Drucker, ”Effective leadership is not about making speeches or being liked; leadership is defined by results not attributes.”

No matter how pleasant you are (or you think that you are) the bottom line is that the funding and reputation of your institution rests on success.

There is a reason that business principles exist. There is a reason that companies that fail to follow these principles also fail. Few managers of digitization projects have business backgrounds. The number one failure seems to be a lack of project management skills.
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by Kim Schroeder

In teaching multimedia archive,s I think about the future of our content constantly. Like a new mother, I fret for its security, growth and health. What is THE answer for our degrading media, emulsions, for our software obsolescence and our equipment falling down around our ears?

Recent discussions on the AMIA listserv brought new energy to this discussion and I wanted to put my spin on this. The subject line was “What’s Not Cool About Cold?” and it solicited some serious discussion about whether we have made a horrible mistake for a generation of archivists and content.

Jim Lindner argues that the imminent demise of tape players is more important in an archivist’s preservation decision than our focus on the imminent degradation of the media itself. The latter being our big decision to place much of our media in cool or cold storage. The group discussion mentioned the fact that many of our players are no longer supported by their manufacturers and the simple math that the lack of machines and the existing wear on their parts will not even cover the playback of the volume of archival tapes awaiting…migration? This hits a deep reality. Have we lost hundreds of thousands of hours of archival motion under our watch? Maybe even millions or billions of hours?
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by Lisa Rabey

It’s all well and good to get super excited about technology, but without examples of these technologies in action, what’s the point of being super excited? With that being said, every Friday AMPed will be showcasing a website that takes these technologies and really makes them work, whether in design, implementation or as a mashup. These are websites that are taking their outreach and content to the next level by making their sites not only more aesthetically pleasing but also more interactive with their audience.

This week, we’re showcasing Haystack, the online archive of Colby-Sawyer College. What is great about Haystack is that not only is it aesthetically pleasing, easy to browse and navigate, but it also uses social networking tools to allow the reader to re-share the information to Delicious, Digg, Facebook and other sites. Haystack also relies fairly extensively on open source software for their backend.

We’ll let Kelli Bogan, the archivist at Colby-Sawyer, explain more:
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