by Kim Schroeder

A few weeks ago I was honored to attend the National Digital Stewardship Alliance meeting. The NDSA was planned by the Library of Congress as part of their NDIIP project.  There were more people there than I expected and it was a humbling experience to hear some of the brightest and most creative brains in Digital Preservation speak.

The high volume of information was overwhelming.  I spent more than six hours at the end of the conference compiling a PowerPoint of the important research highlights.   A small sample of this information is included below.

There were many wonderful presentations giving case studies on how institutions used their own creativity to try and enhance the longevity or migratability (new word?) of their digital files.  The amazing work often was done on a shoestring which though unfortunate, also forced a certain level of imagination and invention.

A few examples are:

Jack Brighton, of campus radio station WILL, gave a wonderful presentation on what a small station is doing to make their civil rights collection more accessible.

Kickstarter.com did a great presentation on how they are helping arts projects get funded and we hope that as they branch into community work that digital preservation might fit into that.

The UK Web Archiving project covered some of the complexities and true effort that it takes to try and tackle capturing the online history of its nation.   http://www.webarchive.org.uk/ukwa/

- As of December 2010 – 9 million sites with .uk, probably 1M more

- 10,027 websites archived

- Need skills in Linux, Java, Hadoop, and SOL

5 keys processes to web archiving

- Selection

- Harvesting

- Storage

- Preservation

- Access

http://www.webarchive.org.uk/ukwa/ngram/

So after taking in all this good information, what is it that I have left the conference with?

People just like us are doing some wonderful problem solving out there.  There is some potential being unlocked, but there is so much to do.

As I see it the Action Items are:

1)    Greater broadcasting of the successful case studies for migration and open solutions.

2)    Training classes in how to boil this down for each type of format/issue.  The NDSA Outreach group held a session called “Digital Preservation in a Box”.  This is the beginning of standardizing the tools that we need.

3)    Overarching education to information and production professionals, as well as, the general public about the dangers of digital fragility and the need for migration (at the least).

I have mentioned to my classes for years that future anthropologists, sociologists and historians will have little to sift through from the late 20^th century.

Some of it is being worked on by archivists now but much is gone.  Let’s keep making progress so that the future of our current history is not lost, like the way of silent films.

More informational tidbits from NDSA:

Other Great Projects

—       ThatCamp.org

—       http://www.scola.org/scola/sampledigitalarchive.aspx

NYPL Labs

—     http://search.creativecommons.org/?q=nypl+map+rectifier&sourceid=Mozilla-search

—     http://menus.nypl.org/

Archiving Facebook

Grad student designed Firefox add-on for individual archiving of Fb.

www.Bit.ly/archivefb

Preserving Virtual Worlds

—      www.ideals.illinois.edu/handle/2142/17097

Cool Tools

—  http://www.google.com/landing/historypin/

—  http://blogs.yu.edu/cpa/2011/02/23/open-source-video-platforms-kaltura-vs-entermedia/

Great Quotes

—    JackBrighton”(DAM) is more like an appliance than an Ecosystem.”

—    Michael Nelson “We need to raise the level of user expectations.”

—    Michael Nelson “In all good computer science functions you solve the problem through indirection.”

—    Wheatley and Frieze “The world does not change one person at a time.  It changes as networks of relationships form among people        who discover they share a common cause and vision of what’s possible.”

—    Tim O’Reilly(?) “Teach preservation as a mindset.  Bake this into the tools.”

New Phrases

—    Social Curation

—    Metadata Ecologists

by Lisa Rabey

Part V: Using Social Media for Outreach and PR, part ii: The Big Why

A couple of weeks ago I ended the post on advocacy with the following:

You might be asking yourself “Why should I do this?” Good question and also the point of this post: At the heart of library/archive advocacy is the active pursuit to continue to influence the community at large to the worth and purpose of the local library or archives.

In last week’s (fairly lengthy) post, I summarized the entire post with one sentence that gets to the heart of the matter:

Engage with your community.

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by Lisa Rabey

Part IV: Using Social Media for Outreach and PR, part i

Last week, I talked about the difference between advocacy and public relations as well as presented a good base on how to create and use social media as advocacy outlets. Since the steps to create a social media outreach/PR campaign are similar to creating an advocacy campaign, I’ll discuss more on how to use social media effectively to create, maintain and engage with your community.

Because there is so much to cover with this topic, it is divided into two parts, the first of which covers creating a brand, connecting your social networks, engaging your users, and lastly, creating meaningful content. While I give examples to illustrate my points in this week’s post, next week I’ll spend more time on the WHY you should be doing this rather than just creating the approach to doing it.
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by Lisa Rabey

Part III: Using Social Media for Advocacy

When I began to outline this series, my goal was to make sure that each weekly topic flowed into the next so that the current week built upon the previous weeks discussions. As I spent time moving topics around so that each week would (hopefully) flow seamlessly to the next, I kept getting a nagging feeling that something was just not right. Two of my topics, advocacy and public relations/outreach, were the culprits and I finally realized why. The nagging comes in because at first blush, I tend to personally use the words advocacy and public relations pretty interchangeably and I wondered if I did that, it wouldn’t be too far of a stretch to believe that others might do so as well. So what is the difference between the two and why are each of them important?
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by Lisa Rabey

Part II: Social Media Simply Explained

When we presented on social media at AMIA last year, we opined that social media could be easily explained by two statements:

• Social networking is about connecting people with similar interests on a much larger scale.

AND

• It is about conversations.

A year later, I still firmly believe that it really is that simple. As I said last week, the problem, however, is that in the last year there seems to be plethora of presentations, sites, workshops and classes (to name a few) that will push the need for social media in libraries and archives but rarely will define what social media is. One hand, this is great as it gets the word out for the need of using social media as part of a librarians or archivists daily job routine. On the other hand, the pushing of the tool without defining the tool is still causing huge resistance in using that particular tool. Why?
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by Lisa Rabey

Part I: Introduction

A conversation I seem to have a lot these days is discussing the use and instruction of social media, specifically for archival and library institutions. One particular topic that I keep coming back to over and over again in these conversations is that there is a huge push for institutions to use social media, with this push intensified by conferences and professional organizations (to name a few outlets). These outlets heavily advertise posters, panels and classes (to name a few methods) that teach professionals the hows of social media and networking with specific illustration of the more popular social media tools without really explaining the whys.

This in and of itself is not a bad thing. Last winter, Alexis Braun Marks, Kim Schroeder and I presented at AMIA‘s yearly conference on this very subject. Our topic, “When Are New Technologies For You?” was an attempt to give a general overview of what social media is and why it should be used while illustrating a few of the big players in the social networking world. Our audience poll at the beginning of our presentation only enforced what we knew from our research: Most institutions are desperate to get on the social media bandwagon and know that they should, but they have no idea WHY they should or how to go about doing it. Then what happens is that many institutions end up doing one of two things: they join every social network under the sun and then forget about it or they just ignore the siren call of social media in the first place, artificially secure that they don’t need it in the first place.
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by Sara Martin

If you’ve heard of Second Life but wasn’t really sure what it was, or perhaps you’re feeling hesitant about learning “another” new thing, take heart. I’m here to provide information and guidance to this new social media tool. Check out this 3 minute YouTube video for a quick demo on Second Life and how it’s being used to teach university classes.

In a nutshell, Second Life is a software program that looks like you’ve entered a three dimensional (3D) world on your computer. It’s fantastic for demonstrating processes, displaying artifacts and information, interacting with other people, collaborating, building in accountability to distance education courses, teaching complex concepts, simulations and more. As if it couldn’t get any better, creating an account in Second Life and using their software is free!
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by Lisa Rabey

I’ve discussed Twitter in a variety of capacities on AMPed but mainly within the context of using mashable technologies that include Twitter, but I have not discussed a feature of Twitter that sometimes is overlooked – retweeting.

What exactly is retweeting? Retweeting is taking a tweet that was originally sent by one person that you follow and you in turn forward it on to your own followers, usually with an added comment so that the new tweet would look something like this:

Awww RT@stephenfry Plus *eyelidflutter* Steve Jobs said “Hi, Stephen” *swoon*.

In this case I’m commenting on a tweet originally sent by @stephenfry, whom I follow and in turn, I forwarded that tweet to my followers along with my comment. Because of the format of the tweet, it is generally understood that everything before the “RT” is by me and everything after the “RT” is by the originating author. And this is accepted as the norm in Twitter communication for since time immortal (or 2006).

It is exactly like email forwarding, with the exception that you cannot selective choose who your retweet goes out to, it has to go out to all of those that follow you or none at all.
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by Ruth Wilner

In March, Rachael Clark discussed the necessity of completing a needs assessment as one of the important skills used in developing a digital collection. I would definitely agree that it is a vital skill for any information professional. Cliché as it is, one of my go-to phrases is, “If you fail to plan, you plan to fail,” and performing a needs assessment is an essential part of the planning phase for any project. This includes diving into the world of social networking.

The first decision to consider with your team is what kind of social media outlet will be most beneficial. There’s more to the world of social networking than microblogging on Twitter. You can get your professional persona out there with LinkedIn, share attention-grabbing images of your collection using Flickr or post a webinar on YouTube. Consider your needs, speak with people who are fully immersed into the world of social networks and learn from them. There are many options from which to choose. Do a bit of research into what will work best for your organization before you spend too many “hit and miss” hours. Time is money, folks!
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by Molly Jean Schoen

Earlier this month, the Library of Congress announced that it would house every “tweet” ever posted on Twitter. Every 140-character-or-less blurb on the site is now part of the vast LoC archives. This got me thinking: what are the issues at hand in archiving social networking sites? And why is it important?

Recently, while cleaning out my apartment, I found a relic of primitive social networking—a printed-out Facebook message from 2005. Nostalgia instantly struck. Five years ago, Facebook was [thefacebook], with a much simpler interface. A toolbar on the left listed the humble features of the relatively new site: My Profile, My Groups, My Friends, My Away Messages. Clearly, Facebook was trying to emulate MySpace —which was then by far the preferred means of social networking.
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